PRESS//
"Holly Georgia played Antigone beautifully. Annoying in her steadfast resolve – If I had been Creon, her head would have come off 5 minutes into the show – using infallible logic to prove that she was right. Holly had a tone of voice and demeanor that brooked no discussion – When Antigone says something you believe her, even if you don’t agree.
****
ANTIGONE- GREENWICH THEATRE- LONDON OCT 2017
"Finally, the cast is superb. Holly Georgia portrays the heroine, Antigone, with enough pluck and determination to make us believe she could stand up to a security state.
****
ANTIGONE- THE LOWRY- SALFORD OCT 2017
"There was a moment in Actors of Dionysus' (AOD) adaptation of Antigone at Halifax's Square Chapel Arts Centre on Friday, when all other considerations in this ethically-complex Greek tragedy fell away.
The heroine, played with relentless stoicism and gravitas by Holly Georgia, expired silently on a plinth in the cage of her tomb wrapped in a white silk winding sheet, and for a moment, our audience disbelief thoroughly suspended, the inevitability of Tragic necessity was revealed to us.
ANTIGONE- SQUARE CHAPEL- HALIFAX SEPT 2017
"The all-female team works almost seamlessly and the trust between these unpredictable ladies is impressive to say the least.
The level of intensity that the cast managed to maintain was impressive, leaving no point for the audience to relax or try to predict what was coming - presumably literally no one knew.
It's clear these girls are up there to have a good time and if the audience get swept along, more's the better. But if you think no official script, no lighting plan, sound, music or costume makes a performance less ambitious, then think again - this is a brave risk and paid off well for Improv Noir.
****
IMPROV NOIR- CANAL CAFE THEATRE- LONDON JULY 2014
"There's a lot of energy on the stage too, especially from Bhavnisha Parmar and Holly Georgia, who spring around the theatre like jackrabbits, the latter particularly adept at mining the fundamental absurdity of improv for gags, referencing changing characters and situations and almost fulfilling a choral or narrator role.
IMPROV NOIR- ETCETERA THEATRE (CAMDEN FRINGE)- LONDON AUG 2014
"You don’t get many transvestite mechanics in theatre and when you do they’re rarely as much fun as Holly Georgia’s Steve, one of the stars of last night’s never seen before and never to be seen again, The Pimp from the Bakery.
IMPROV NOIR- ETCETERA THEATRE (CAMDEN FRINGE)- LONDON AUG 2014